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Thursday, September 27, 2012

Pictures from hole dot 09-27

Most people who have occasion to use a hole punch just discard the little paper dots that fall out of the tool, but artist Nikki Douthwaite saw something more in the colorful little circles.

Courtesy Nikki Douthwaite
Nikki Douthwaite made this image of Marilyn Monroe with 99,000 hole-punch dots in 2010. She used colored dots in such a way as to make the resulting image look black-and-white. Says the artist, "It was the first piece that I have made where I didn't think I could do any better."
For the past three years, Douthwaite has been collecting paper dots, painstakingly sorting them by color, and crafting them into images of some of the world’s most celebrated icons, including Marilyn Monroe, John Lennon, Jimi Hendrix, and Muhammad Ali. The work of the Manchester, England-based artist has been featured in galleries around the U.K., and recently, photos of her pieces wowed the Internet. (You can see more of Douthwaite's art on her site -- note that she's a big fan of Formula 1 racecar drivers.)
“The idea to use hole-punch dots came from studying pointalist artist (Georges) Seurat for my degree,” Douthwaite tells “I don't really have a trick, just hard work and an obsession. Tweezering one dot on at a time and making sure the color mix is right before I start. I will often stick my hand in a bucket of 30,000 hole-punch dots and say, ‘That needs more light purple.’"

Courtesy Nikki Douthwaite
Douthwaite used 150,000 dots to make this image of Jimi Hendrix.
Each picture is inspired by a magazine photograph and takes anywhere from six to 15 weeks to create. For Monroe’s image, she used approximately 100,000 dots, and for Hendrix, 140,000.
“The younger and prettier someone is the harder I seem to find it, as there tends to be less distinguishing features,” says Douthwaite. “I find facial features really easy. I spent the most time on their hair, and making John Lennon’s glasses look real. Marilyn's eyelashes were tricky, trying to make them visible without being over the top.”

Courtesy Nikki Douthwaite
Douthwaite made this image of John Lennon as a birthday gift for a friend in Los Angeles. It was only the third dot portrait she had made, and she had to learn how to do hair and glasses.
Many pieces of her work have been sold; some, like the portrait of Monroe, were commissioned. Hendrix’s portrait went to a private collector, and Lennon’s image has been shown in galleries worldwide, including at The Beatles museum in Liverpool. In the U.S., a portrait by Douthwaite is owned by Ripley’s Believe It or Not in San Francisco.

Courtesy Nikki Douthwaite
It took 189,000 dots to create this portrait of TV judge and personality Simon Cowell. Douthwaite says she loves how "you never know what is going to come out of his mouth."

“People sometimes accuse me of blowing up huge photographs and pixelating them, then sticking dots over the top by matching the colors,” the artist says. “Seriously, can you imagine how long that would take? I use the dots like paint. I do different colors for the feel of the picture, and there are thousands of colors in each piece.”Of course, all artists have critics, and in a medium as unique as Douthwaite’s, the commentary can be equally bizarre.
She adds, “My house has constantly got dots spilled everywhere. My friends call me up and say, ‘I have a blue dot on my shoe, do you need me to bring it back?’”

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